every month we issue a newsletter chock full of information about what’s happening at the shala. we know it’s easy for these missives to get lost in the inbox shuffle, so we’re building an archive of our letters to the shala community here. here’s the latest.
virasana: the unsensational hero
a dharma talk by Braeden Lentz
Our focus for the month of February at The Shala is Virasana. The two Sanskrit components are “vira,” often translated as hero, and “asana,” which yogis know well to mean seat, shape, pose, or the way we arrange our body building up from the ground. The names of poses evoke imagery to consider as we make our shape.
The first things that come to mind when I consider the term “hero” are superhuman qualities. I think of someone who engages in unusually daring but necessary actions. A hero might be a charismatic, especially self sacrificing, or visionary person. There might only be a few in my lifetime.
New Basics Class in Fort Greene with Deidra Demens. Saturdays 3:15 to 4:15. Starting March 9th. Also check out fresh wisdom: an interview with deidra.
How would you describe Iyengar Yoga?
When I started the Iyengar teacher training, I felt like I needed a foundation as a teacher. I had that as a student, because that’s what I was practicing. So many schools of yoga say different things about the different poses. I expected to go into the Iyengar teacher training and they would tell me, this is how you do it. We asked them, In Urdhva Hastasana, should the fingers be spread wide or should they be together? They said, Both. There are times when you spread the fingers wide, there are times when you bring them together. They told us that you are going to have to do both again and again and again and again until you understand what’s happening when you do it this way versus when you do it that way. When you teach class, you’re going to know when to tell the students to spread the fingers wide and when to tell them to bring them together.
What I learned in the teacher training is that it was all about experience. That’s where the props come in. That’s where the different ways to do the poses come in. There’s no one way. When you practice asana, you’re finding yourself. You’re finding yourself in the classic shape, and then you change that up a little bit. It’s finding yourself in this pose but then there’s kind of looking back to, what does that tell you about who you are as a person, or where you are right now in your life, or where you want to be, what this whole thing is to you?
by Alana Kessler
It was 2010. I was in Nicaragua with my friend, Janine, celebrating my 30th birthday. Being a yoga practitioner for over a decade, and relatively new Ashtangi of a little over a year, I was diligent about my early morning practice. The routine was this: We would get coffee delivered to the door, drink it leisurely on the balcony, watch the waves, and then practice.
I remember breaking my drishti and watching Janine with curiosity. While I was jumping back and jumping through, she was holding postures for minutes at a time in what appeared to be mini-naps. I judged it. It was a challenge to wrap my mind around this being a practice that supports the seriousness and attention that I identified my practice with.
Cut to five years later: I found myself in San Francisco eyeball deep in a 10-day Yin Yoga Intensive and Buddhist psychology training with Sarah Powers, and loving every second of it. How did I end up here, you ask? You see, somewhere along the way the yang element of Ashtanga Yoga opened me up to a deeper layer of interest. I began to listen to meditation teachers’ talks while doing my Mysore practice at home. I got quieter. I took notice of when I was pushing too hard. I asked myself if my motivations and actions were aligned with my higher intention. Did I even know what that was?
Padmasana. The word itself is beautiful, especially when you pronounce it as they do in India: with a softness around the ‘d’ so that it sounds like ‘padth’ rather than ‘pad’. Padma is the Sanskrit word for lotus, a flower that grows in the marshes and swamps of India. The Buddha spoke of the lotus as an allegory for enlightenment: “As a lotus flower is born in water, grows in water and rises out of water to stand above it unsoiled, so I, born in the world, raised in the world having overcome the world, live unsoiled by the world.”