- An advanced anatomy and sequencing workshop with Annie Piper, Joe Miller, and Maria Cutrona
- An Ashtanga Yoga intensive with Tim Feldmann
- An Ayurveda intensive with Maria Rubinate
- A meditation series with Jocelyne Stern
- A new art show by our dear friend, Sheila Anozier
if you’ve visited our union square location in the last month, you’ve had the pleasure of viewing artist and shala student adam dougherty’s intricate, exuberant, and reverent animal portraits. shortly after the show went up, fellow shala students jonathan and alene herman reached out to adam to commission a piece honoring their beloved cockatiel, rocky. jonathan shares rocky’s story here.
shala teachers share their favorite books, documentaries, and talks on issues of race and ethnicity.
a dharma talk by Braeden Lentz
Our focus for the month of February at The Shala is Virasana. The two Sanskrit components are “vira,” often translated as hero, and “asana,” which yogis know well to mean seat, shape, pose, or the way we arrange our body building up from the ground. The names of poses evoke imagery to consider as we make our shape.
The first things that come to mind when I consider the term “hero” are superhuman qualities. I think of someone who engages in unusually daring but necessary actions. A hero might be a charismatic, especially self sacrificing, or visionary person. There might only be a few in my lifetime.
follow this link to our book club poll. vote for the book you’d most like to see selected as the shala book club’s next read.
How would you describe Iyengar Yoga?
When I started the Iyengar teacher training, I felt like I needed a foundation as a teacher. I had that as a student, because that’s what I was practicing. So many schools of yoga say different things about the different poses. I expected to go into the Iyengar teacher training and they would tell me, this is how you do it. We asked them, In Urdhva Hastasana, should the fingers be spread wide or should they be together? They said, Both. There are times when you spread the fingers wide, there are times when you bring them together. They told us that you are going to have to do both again and again and again and again until you understand what’s happening when you do it this way versus when you do it that way. When you teach class, you’re going to know when to tell the students to spread the fingers wide and when to tell them to bring them together.
What I learned in the teacher training is that it was all about experience. That’s where the props come in. That’s where the different ways to do the poses come in. There’s no one way. When you practice asana, you’re finding yourself. You’re finding yourself in the classic shape, and then you change that up a little bit. It’s finding yourself in this pose but then there’s kind of looking back to, what does that tell you about who you are as a person, or where you are right now in your life, or where you want to be, what this whole thing is to you?
by Alana Kessler
It was 2010. I was in Nicaragua with my friend, Janine, celebrating my 30th birthday. Being a yoga practitioner for over a decade, and relatively new Ashtangi of a little over a year, I was diligent about my early morning practice. The routine was this: We would get coffee delivered to the door, drink it leisurely on the balcony, watch the waves, and then practice.
I remember breaking my drishti and watching Janine with curiosity. While I was jumping back and jumping through, she was holding postures for minutes at a time in what appeared to be mini-naps. I judged it. It was a challenge to wrap my mind around this being a practice that supports the seriousness and attention that I identified my practice with.
Cut to five years later: I found myself in San Francisco eyeball deep in a 10-day Yin Yoga Intensive and Buddhist psychology training with Sarah Powers, and loving every second of it. How did I end up here, you ask? You see, somewhere along the way the yang element of Ashtanga Yoga opened me up to a deeper layer of interest. I began to listen to meditation teachers’ talks while doing my Mysore practice at home. I got quieter. I took notice of when I was pushing too hard. I asked myself if my motivations and actions were aligned with my higher intention. Did I even know what that was?
Dear Shala students,In the month of November we will focus on building a healthy, comfortable Padmasana (Lotus). This sacred seat shows up in asana practice as well as pranayama and meditation.Our complementary philosophical focus is the Buddhist concept of skillful action, or how to apply contemplative work to ethical conduct.Sitting and moving well, developing open communication with our minds, and deliberately reflecting on how we think, feel, relate, act, and react in an increasingly complicated and challenging world—these are practices that reach out in all directions and touch every aspect of our lives.We are grateful to be members of a community that stands up for love, respect, kindness, and nonviolence on and off the mat. Thank you for everything you do to make the Shala and the world a more compassionate place.ox Barbara and Kristin
Padmasana. The word itself is beautiful, especially when you pronounce it as they do in India: with a softness around the ‘d’ so that it sounds like ‘padth’ rather than ‘pad’. Padma is the Sanskrit word for lotus, a flower that grows in the marshes and swamps of India. The Buddha spoke of the lotus as an allegory for enlightenment: “As a lotus flower is born in water, grows in water and rises out of water to stand above it unsoiled, so I, born in the world, raised in the world having overcome the world, live unsoiled by the world.”
Dear Shala students,
We hope you are having a great summer and that you are able to lighten up your schedule in favor of taking slow walks in the city or elsewhere, and spending more time with family and friends.
This month we’ll focus on handstands and—important for handstands!—abhaya, or freedom from fear, so we hope you’re able to carve out some space and energy for practice, too. Be on the lookout for some upcoming schedule changes, including classes that focus more on strengthening, alignment, meditation, yin, and more.
Tapas is not just on the mat. It’s how we live our life: An Interview with Genny Kapuler
photo: the all watch
How are you inspired in your practice at this point in your life?
Genny Kapuler: It’s like the siren song. It calls me. It is my inspiration. I get up and practice. On the weekends I just practice in the morning. During the week I don’t have enough time in the morning to also do the inversions, because morning class starts early. The older I get the longer it takes me to do everything. I need more time to practice. During the week I separate the inversions in the afternoon, and the inversions energize me for the evening classes.
What do you think are the most important elements of practice?
GK: Commitment. Over and over, every day, day in and day out. Then it creates a path.
How do you understand yoga as a method for transforming the body and the mind?
GK: It is very mysterious, the way the threading of the mind and the weaving of our own experience into the body creates so much resonance with our world. Even now when we are living in such a difficult time politically and environmentally, I find that yoga supports my trust in life and people. Continue reading
The following is an excerpt from a longer passage from Pema Chodron’s The Places That Scare You. Ashley Dorr shared these words in a recent dharma talk.
“Chitta means ‘mind’ and also ‘heart’ or ‘attitude.’ Bodhi means ‘awake,’ ‘enlightened,’ or ‘completely open.’ Sometimes the completely open heart and mind of bodhichitta is called the soft spot, a place as vulnerable and tender as an open wound. It is equated, in part, with our ability to love…Bodhichitta is also equated, in part, with compassion—our ability to feel the pain that we share with others. Without realizing it we continually shield ourselves from this pain because it scares us. We put up protective walls made of opinions, prejudices, and strategies, barriers that are built on a deep fear of being hurt…But fortunately for us, the soft spot—our innate ability to love and care about things—is like a crack in these walls we erect…With practice we can learn to find this opening. We can learn to seize that vulnerable moment—love, gratitude, loneliness, embarrassment, inadequacy—to awaken bodhichitta.”
a series by Maria Margolies
Autumn is a beautiful time of year, characterized by vibrant colors, blue skies, and crisp air. According to Ayurverda, it’s also Vata season. Other qualities of Vata are windy, erratic, and dry. Although these can be wonderful qualities that shape the landscape dramatically, they can bring challenges and imbalances for our inner and outer bodies. Our skin especially has a tendency to become dry, dull, and crocodile-like. In order to maintain balance and transition into the new season with radiance, it is important to adapt our daily rituals accordingly.
Summer is changing into Fall, and Ayurveda suggests that we should change, too. This 5,000-year-old science of health and healing makes lifestyle and dietary recommendations according to the season. Each season has particular qualities, and the way these qualities are combined and balanced define that season’s dosha. There are three doshas: vata (air, movement), pitta (fire, heat, transformation), and kapha (structure, density, cohesion). It is recommended that we eat foods that have the opposite qualities of the dominant seasonal dosha.